Andrew Dance – Page 2 – Andrew Wood's dance diary

Torus 2.3.3 – a dance #LandscapeDance #FoundDance #Voluism

This dance was recorded on two occasions in January 2022. While this is a solo performance. It is also a duet. For I dance with the embodied memory of my previous dance. Thus the past is present: always present.

Pathway – an invisible dance

A path is made by travelling – often repeatedly – along a route and trampling the ground. There is a performative element to it, and the path is a memento or record of movement making a pathway. We could say that we ‘path the walk’ though we usually say that we’ve walked a path. Here is documentation of a walk on the edge of a woodland near Horton-cum-Studley in Oxfordshire which I made in October 2021.

Behold! The Aikido headstand! #HeadstandChallenge

My research into headstands, led me to consider a different stance to one which I’d normally use, and where the outside of my hands rest on the ground, supporting. Hence, the Aikido headstand!!

New dance (2021) – Coming Home

Dancer Jo Blake and I created a duet. We had less than six hours dancing together, and we used a score with three parts to create this new dance. Subsequently, I submitted our dance to Dancin’ Oxford for its Moving with the Times 2021 commission.

Falling, folding and shoulder dancing

So much dance tradition involves our feet: stationary and standing, or travelling in space – walking, running on them, etc. But how about dance which is falling, folding in our body, and dancing with our shoulders on the ground? I played with some ideas and created a couple of sequences.

Fomenting dance

Recently, I heard a radio interview with scientist Jane Clarke who’s an expert in proteins. It made me wonder if there was material here for dance! I also thought of an unusual way to document dance. These ideas are noted down and they become a way of fomenting new dancing.

One year on: stay home, save lives, do Qi Gong!

It’s about a year since the Coronavirus epidemic began in the UK (March 2020) and there have been two periods in lock-down (stay at home order). During this period, I’ve had a regular practice of Qi Gong (Qigong) – the 18 movement form – and this is what I’ve found in it.

Spring Awakening #HeadstandChallenge

Oxford City Council (as Dancin’ Oxford) asked for contributions to its Spring Awakening project. Dancers contribute video clips of themselves dancing which are edited into a final film for digital distribution. A headstand seemed to summon-up the period in which we were living – the world turned upside down by Coronavirus!

Taking a point of contact for a walk

The artist Paul Klee is famously quoted as saying “a drawing is taking a line for a walk”. Can we choreograph a point of contact as it is drawn over the body? Or – as we might say – can we take a point of contact for a walk?

New dance : Spring Awakening (triptych)

The Arts Centre at the Old Fire Station, Oxford had requested proposals for short films under the banner of ‘Lights Up’. I submitted a dance called ‘Spring Awakening (triptych)’ which used the concealed human figure – inverted in a headstand, as its basis. It’s a solo piece and used humour – which seemed appropriate for a venue that hosts Oxford’s fringe festival.